The connection between Music and Physics BY KOKOHANDS UNIUYO

The connection between Music and Physics

Abstract

There is always the possibility of proving any definite theory wrong; but notice that we can never prove it right. Richard Feynman (1992, 157)

This text intends to show some possibilities for using the Fractal Geometry and Holonomic Physics fundamental concepts to create a new musical aesthetic language. After identifying those main concepts, the composer has

many ways to put them into his composing practice. Some of them are born with an extremely technical and mathematical approach, what results in a rigid, mechanical and cold music. We try to show with this analysis a path to a more organic perspective, through the use of Semiotics for connecting the “Music as culture” and “Physics as nature” knowledge fields, emphasizing the transversality of communicational dimension. One of the main differences between pre-Socratic and post-modernist era is maybe the velocity of social changes. Despite the enormous distance between the ancient Greek way of thinking and our own, the major difficulty defying contemporary science is to keep our production moving fast enough. That is one of the reasons for the astonishing knowledge increase, asking from us a constant up-to-dating. Therefore we are actually moving from the habitual changes in paradigm to the paradigm of changes.
Assuming this constant mutation attitude, although uncomfortable, would present many advantages for making productive researches in experimental fields. Semiotics, as a new tool for comprehending and interconnecting the languages world, becomes stronger each

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