TOPIC: The connection
between music and physics
ABSTRACT
Physics
permeates the language we use to describe music, and the concepts we use to
understand it. Although beautifully framed by the personal and anecdotal, we
can explore that the relationship
between music and physics go back to the
ancient Greeks, and are as old as the disciplines themselves.
Hence
writing something from the other side, to meet scientific appraisals in the
middle in a speculative conversation about the parallels between the two worlds
(music and physics) becomes trivial, and that is what this paper seeks to
expatiate.
INTRODUCTION
Musical
meaning is tantalizing and elusive. For most of us, music has the power to
reach us profoundly and directly. The temptation is to speak of music as a
language: the notion of music as a kind of “language of the emotions” is
pervasive, centuries old, and nowadays has some limited empirical experimental support.
Most
theoretical work now done on musical semiotics
treats music as just another flavour of discourse, another language of signs;
albeit one with its own special characteristics.
But
this runs against an age-old notion: that music is a natural law. The medieval
concept of “music of the spheres” held that the
movement of the celestial bodies – what we now describe as astrophysics – was,
a. . . . =================================================================
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